Hey.
Can someone give me Daves number. I need frames and Sandra told me he can hook me up with cheap ones. Can someone also email me info on the write up due on Tuesday? I missed the last 4 classes so I'm not sure what its about. Also if anyone has big headphones. Like massive ones. Please let me know. Last thing. I'm trying to record responses through a microphone into the laptop, but the sound recorder has a limit of 60 seconds each recording. Does anyone know an alternative to this in case I need a longer recording?

Thanks..and good luck guys!

Hey Guys,

Kelly and I are trying to collect as much dryer lint as possible, if you have any at your house can you please bring it in to class for us... We are going to be there on Sunday as well to install at the gallery.

Thanks so much!

Hey Guys,

Kelly and I are trying to collect as much dryer lint as possible, if you have any at your house can you please bring it in to class for us... We are going to be there on Sunday as well to install at the gallery.

Thanks so much!

Hi Julie,

this is the artist that i was talking about. She also deals with photographies, performance art, and installation.

Shiota Chiharu
home page:
http://www.chiharu-shiota.com/work94a.html


Risa

Hey guys

I vote for Everydays Emphasized, and Horror Vacui.

Julie

a message from tracia. please give her comments. w

+++++++++++++++++++

Hey class, i have updated the blog - http://manualcubed.blogspot.com i will leave in the JIC intervals and delete them when i am absolutely sure there is nothing else to add.

The sound recording, still working on that

Doing the manual in french or any other language is VERY VERY hard. i translated it using online programs but none are great because i had ppl who know french read it and they said it wasn't accurate. To get somebody to spend time editing the french version without pay is close to impossible. SO, i have scrapped that idea.

Notice the TITLE for each post pop out at you before the text under it does. That is actually intentional. Most of the titles are bizarre enough to get you engaged in reading what is below it.

It makes no difference to me if someone makes the box or not but its there as a way to make you stay longer cause as you know, we all like to build things.

ANOTHER ELEMENT--> The service and support hotline is my #. If someone decides to call I will be on the other end to offer you a solution to your query. If i miss your call there is an automated answering machine that askes you to leave your name number and query. I will return your call. I am looking into calling the phone company and asking them to CHANge the name that shows up on the display as "the power of three inc." just for that day so when you receive a call you from me you will see that ID on your display.

comments or concerns? let me know I'll read the blog. thank you so much for all your suggestions. It went a long way.

Hi,

I thought some painters and photographers in our class might be interested in this artist.
Kathy Kissik

You could actually see her work at the gallery on 1194 Queen St W. and on this site.
http://www.alphagallery.com/artists/kissik.html
www.elainefleckgallery.com

Although, be aware that the curator lady at this gallery was a bit annoyingly selling ;P

Risa

julie -- Marlene Dumas

kelly, alina -- Chantal Akerman: News from Home, 1977 (www.filmref.com/directors/dirpages/akerman.html)

w

hi all -regarding post-grad discussions, how about the tuesday sessions from 4-5pm? If people need to leave, they can go, and others can stay to ask more questions. maybe we don't need much more that an hour anyways. wednesday April 04, 5pm-6:30pm, no change. will

Some of you have expressed an interest in discussing things related to post-graduation life, topics such as graduate school, paying the bills while working as an artist, applying for grants and exhibitions, etc. i've decided to organize several casual Q&As/workshops outside of class to address these things. The discussions can be very informal and we could have them either in my studio or at the bar in the student center (forgot the name of that place, its downstairs).

These are the dates and times i'm planning, and wanted to make sure that those of you who are really interested in this information don't have scheduling conflicts.

Tuesday, March 20, 4:30pm-6pm -- Graduate School. Why? Why not? Where and When?

Tuesday, March 27, 4:30pm-6pm -- Money Changes Everything. Grants, residences, selling.

Wednesday, April 04, 5pm-6:30pm -- Paperwork. CVs, proposals, applications.

Kelly, march 20th is the opening of the juried show. when does the opening start?
hope to hear from all of you soon so i can set the dates.
Will

Hi,

here's some artist who I thought are interesting from hearing about "light" - though I dont know if they are so helpful. I just like them, that's all :P

http://onys.net/

http://www.its-raining-men.com/contemporary-abstract-textile-light-art-uv-lit-burning-his-roses.html

http://youtube.com/watch?v=rXg_c_6tXbM

hmm.. sorry too tierd to think more

patrick -- i like this recent image better than the previous one with the text, it appears, at least on the screen, to have a more dark, complex palette. but somehow the looser underpainting is moving you away from the medieval art reference. is this what you want? i liked that you were exploring historical painting and trying to paint immediate, current events with stiff imagery and symbolism. you're floating a bit now. the imagery is too anonymous to read either as referencing older painting or based on current events. i think you need to use clearer references from both sources in order to make the work more contemporary. in other words, you have to come to terms with the fact that contemporary painting is driven by ideas and conceptualism.

take a look at how these painters combine old and new:
1) Kehinde Wiley
2) Philip Guston

w